Please Read our Venue Covid Policy:
When coming to Mono please…
– Conduct a Lateral Flow Test prior to attending the gig and stay home if the result is positive.
*Entry to this event will be based on producing proof of a negative test (email/text confirmation preferably)
*Tests are available to order online > [https://www.gov.uk/order-coronavirus-rapid-lateral-flow-tests](http://)
Or if you cannot use the online service, call 119 (free from mobiles and landlines). Tests arrive in approx 2-3 days. Tests can also be collected from your local chemist/pharmacy.
*Register your negative test result here > [https://www.gov.uk/report-covid19-result](http://)
– Wear your face covering when entering and exiting the venue, waiting in any door queues and moving between spaces, including going to the washrooms or ordering at the bar
– Use of hand sanitisers around the space
– Sign into and out of Test & Protect on entry and exit from the show
– Continue to create distance from other people where possible
– Do not attempt to attend the show if you are symptomatic. Persons displaying possible symptoms will be refused entry or removed from the event
– Respect other gig goers & our staff
Mono & Pop Mutations presents… NIGHTSHIFT + R Aggs + Open Face
NIGHTSHIFT formed in 2019 in the ecosystem of Glasgow’s current indie scene. The city’s fertile & creative group of musicians have been committed to pushing the boundaries of and blurring the lines between DIY, punk, experimentalism and indie pop for decades now. Nightshift fit right in, featuring members from current indie stalwarts Spinning Coin, 2 Ply and Robert Sotelo. The band was formed by David Campbell (guitar), Andrew Doig (bass), Eothen Stearn (keyboards/vocals) & Chris White (drums) as a “No Wave/No New York/early Sonic Youth/This Heat-esque” group, but their sound quickly evolved once guitarist/vocalist/clarinetist Georgia Harris joined (as the band was writing ‘Zöe’). Nightshift self-released a full-length cassette on CUSP Recordings in early 2020, laying the foundation of their sound; hypnotic, melodic, understated indie post-punk with hooks that stick around long after you’ve heard them.
Unlike the band’s previous album, the songs on ‘Zöe’ weren’t conceived live in the band’s practice space, but rather pieced together and recorded remotely during quarantine lockdown. The isolation actually allowed for an openness and creativity to flow and many of the songs took on radically different forms from when they were originally envisioned. Vocalist & primary lyricist Eothen Stearn says “The process of writing these songs separately during lockdown was a kind of exquisite corpse – I liked this gesticulation of reaching out to one another and responding. Building up the next layer and passing it on.” Stearn says “poetic restraints” to writing & Eno & Schmidt’s Oblique Strategies concepts were on their mind when composing the words to the songs, and highlights the influence of author Rosi Bradiotti’s book ‘The Posthuman’. ‘Zöe’ kicks off with ‘Piece Together’, a mesmeric song anchored by the band’s chanted vocals and serpentine guitar licks. ‘Spraypaint the Bridge’ showcases Harris’ clarinet in an unexpected & delightful melodic shift during the song’s anti-chorus. Elsewhere tunes like the swooning ‘Infinity Winner’ and ‘Outta Space’s minimalist, slinky rhythm swirl in a late-night vibe, while ‘Make Kin’ ruminates on “Looking to kinship as a way of engaging with entangled environmental and reproductive issues… how a band is a bond” and lurches forward with kinetic guitar strangling & staccato rhythmic percussion from White & Doig. ‘Power Cut’ is the album’s centerpiece, luring the listener into involuntary movement with its waves of harmonies, synth drones and metronomic pulse, until they all come crashing down in the song’s dissonant midsection. The band acknowledges the whiffs of nostalgia prevalent in ‘Zöe’s songs, and the nature of writing & recording the album is soaked in the self-work, reflection & reevaluations involved not only personally but creatively in each member’s lives. Consequently, ‘Zöe’ has become a collection of sketches of hope, growth, awareness of the power of the world & the power of self and possibility.
Support comes from Rachel Aggs of Sacred Paws, Shopping, Trash Kit performing tracks from her solo record for Lost Map’s Visitations series.
Open Face are a new offering from Glasgow featuring a members of Hairband and Order of The Toad.