“Within a minute, they seem to have trashed every female stereotype in rock and roll… I was
amazed” – Griel Marcus, ‘Rolling Stone’ 1980.

The Raincoats, seminal post-punk band, ‘godmothers of grunge’ and inspiration to a
generation of riot grrrls, are celebrating over four decades of doing things the way they think
they should be done. In 1977 Gina Birch and Ana da Silva met and formed The Raincoats
and their journey has led them to becoming one of the most important underground bands
Britain has ever produced.

The Raincoats created a sound that, while inspired by punk and rock music that had come
before was uniquely and uncompromisingly powerful and female, and which has held a
fascination over all those lucky enough to have stumbled across it. The famous story is of
course that of Kurt Cobain travelling to the Rough Trade shop in Talbot Road in 1992 in an
attempt to replace his worn-out copy of The Raincoats LP, a trip that in the end led to
reissues of the band’s back catalogue and the offer of a tour with Nirvana that sadly never
took place. The Raincoats have always impressed; in 1980 John Lydon announced in Trouser
Press, “Rock’n’Roll is shit…music has reached an all-time low – except for The Raincoats.”

The band’s first gig was in November 1977 and by 1978, with a line-up including Palmolive of
The Slits and Vicky Aspinall, they were an all-female band. Rough Trade Records released
the band’s first single, “Fairytale in the Supermarket”/ “In Love”/ “Adventures Close to Home”
in May 1979 and the women went on their first tour. The Raincoats, Odyshape, The Kitchen
Tapes and Moving had all been released by 1984 and Ana and Gina turned to solo projects. It
wasn’t until 1994 that The Raincoats performed together again on stage, to celebrate the
reissues of their albums and since then they have only made rare live appearances, most
notably at Robert Wyatt’s 2001 Meltdown at the South Bank, MoMA New York in 2010, a
collaboration with Angel Olsen for Rough Trade’s 40th anniversary in 2016 and a celebration
of Jenn Pelly’s 33 1/3 book “The Raincoats” in November 2017, The Kitchen, New York.

The Raincoats inspire in their fans a kind of generous enthusiasm and genuine respect that is
rare and difficult to explain. Kim Gordon of Sonic Youth in the sleeve-notes to the 1993
reissue of Odyshape, “It was The Raincoats I related to most. They seemed like ordinary
people playing extraordinary music. Music that was natural that made room for cohesion of
personalities. They had enough confidence to be vulnerable and to be themselves without
having to take on the mantle of male rock/punk rock aggression…or the typical female as sex
symbol avec irony or sensationalism.”

Nazmia Jamal